Nadia Boulanger and Her World
(eBook)

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Published
The University of Chicago Press, 2020.
ISBN
9780226750859
Status
Available Online

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Format
eBook
Language
English

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APA Citation, 7th Edition (style guide)

Jeanice Brooks., & Jeanice Brooks|AUTHOR. (2020). Nadia Boulanger and Her World . The University of Chicago Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jeanice Brooks and Jeanice Brooks|AUTHOR. 2020. Nadia Boulanger and Her World. The University of Chicago Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jeanice Brooks and Jeanice Brooks|AUTHOR. Nadia Boulanger and Her World The University of Chicago Press, 2020.

MLA Citation, 9th Edition (style guide)

Jeanice Brooks, and Jeanice Brooks|AUTHOR. Nadia Boulanger and Her World The University of Chicago Press, 2020.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDcb9ad119-f374-36f4-c2fe-f0274003ae0f-eng
Full titlenadia boulanger and her world
Authorbrooks jeanice
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-05-18 02:22:47AM

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First LoadedApr 18, 2024
Last UsedMay 18, 2024

Hoopla Extract Information

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    [synopsis] => Nadia Boulanger (1887—1979) was arguably one of the most iconic figures in twentieth-century music, and certainly among the most prominent musicians of her time. For many composers,  especially Americans from Aaron Copland to Philip Glass, studying with Boulanger in Paris or Fontainebleau was a formative moment in a creative career.

Composer, performer, conductor, impresario, and charismatic and inspirational teacher, Boulanger engaged in a vast array of activities in a variety of media, from private composition lessons and lecture, recitals to radio broadcasts, recordings, and public performances. But how to define and account for Boulanger's impact on the music world is still unclear. Nadia Boulanger and Her World takes us from a time in the late nineteenth century, when many careers in music were almost entirely closed to women, to the moment in the late twentieth century when those careers were becoming a reality. Contributors consider Boulanger's work in the worlds of composition, musical analysis, and pedagogy and explore the geographies of transatlantic and international exchange and disruption within which her career unfolded. Ultimately, this volume takes its title as a topic for exploration, asking what worlds Boulanger belonged to, and in what sense we can consider any of them to be "hers."
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