Sacred Places
(eVideo)

Book Cover
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2015.
Physical Desc
1 online resource (streaming video file)
Status

More Details

Format
eVideo
Language
und

Notes

General Note
Title from title frames.
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by Jean-Marie Teno Productions in 2009.
Description
Set in St-Leon, a modest neighborhood tucked between the cathedral and two mosques in the city of Ouagadougou, the capital of Burkina Faso, where for 40 years, the world's famous FESPACO (Pan African Film Festival of Ouagadougou) showcases the best achievements of African filmmaking, Sacred Places is a film about the fight to survive and to maintain one's dignity in a hostile environment. Through the lives of three characters: Jules Cesar, the djembe maker and player, Bouba, the video-club manager of a neighborhood movie salon that also serves as a praying place, and Abbo a fifty years old senior technician who decided to become a public letter writer, JMT skillfully lays out his rich, very complex and profound observations on many paradoxes of today's Africa. One of the many contradictions the director displays is the absence of African films in African distribution at a time of remarkable tecnological advances: "The digital era and the development of the internet have profoundly changed production, distribution and viewing of images around the world. With small budgets, independent films can be made and shown to the public in a matter of weeks or even days. Yet, despite this abundance of opportunities, having access to one's own images is still a distant dream for many in the cities and rural areas of Africa. It is in these places, where people are kept in the dark, with little hope on the horizon, where education and knowledge are needed the most," says Jean-Marie Teno.
System Details
Mode of access: World Wide Web.

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Citations

APA Citation, 7th Edition (style guide)

Teno, J. (2015). Sacred Places . Kanopy Streaming.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Teno, Jean-Marie. 2015. Sacred Places. Kanopy Streaming.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Teno, Jean-Marie. Sacred Places Kanopy Streaming, 2015.

MLA Citation, 9th Edition (style guide)

Teno, Jean-Marie. Sacred Places Kanopy Streaming, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
60a256e7-9070-dbaa-97bd-25ebfc9d32ad-und
Go To Grouped Work

Grouping Information

Grouped Work ID60a256e7-9070-dbaa-97bd-25ebfc9d32ad-und
Full titlesacred places
Authorkanopy
Grouping Categorymovie
Last Update2023-11-27 13:47:23PM
Last Indexed2024-05-20 22:59:08PM

Book Cover Information

Image Sourcesideload
First LoadedOct 12, 2023
Last UsedMay 21, 2024

Marc Record

First DetectedJul 18, 2023 10:18:27 AM
Last File Modification TimeNov 15, 2023 11:13:20 AM

MARC Record

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500 |a Title from title frames.
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518 |a Originally produced by Jean-Marie Teno Productions in 2009.
520 |a Set in St-Leon, a modest neighborhood tucked between the cathedral and two mosques in the city of Ouagadougou, the capital of Burkina Faso, where for 40 years, the world's famous FESPACO (Pan African Film Festival of Ouagadougou) showcases the best achievements of African filmmaking, Sacred Places is a film about the fight to survive and to maintain one's dignity in a hostile environment. Through the lives of three characters: Jules Cesar, the djembe maker and player, Bouba, the video-club manager of a neighborhood movie salon that also serves as a praying place, and Abbo a fifty years old senior technician who decided to become a public letter writer, JMT skillfully lays out his rich, very complex and profound observations on many paradoxes of today's Africa. One of the many contradictions the director displays is the absence of African films in African distribution at a time of remarkable tecnological advances: "The digital era and the development of the internet have profoundly changed production, distribution and viewing of images around the world. With small budgets, independent films can be made and shown to the public in a matter of weeks or even days. Yet, despite this abundance of opportunities, having access to one's own images is still a distant dream for many in the cities and rural areas of Africa. It is in these places, where people are kept in the dark, with little hope on the horizon, where education and knowledge are needed the most," says Jean-Marie Teno.
538 |a Mode of access: World Wide Web.
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